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     INFORMATION OF HOI AN ANCIENT TOWN

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   Introduction on the cultural heritages of the world

 

HOI AN:

Hoi An is a picturesque riverside town, 30 km south Danang. Most visitors agree it is most enchanting place along the coast and one spot worth lingering in. Known as Faifo to early Western traders, it was one of Southeast Asia’s major international spots  during 17th, 18th and 19th centuries. In its heyday, Hoi An, a contemporary or Macau and Melaka, was an important port of call for Dutch, Portuguese, Chinese, Japanese and other trading vessels. Vietnamese ships and sailors based in Hoi An sailed to all sections of Vietnam, as well as Thailand and Indonesia. Perhaps more than any other place in Vietnam, Hoi An retains a sense of history that envelopes you as you explore the town. Every year during the rainy season particularly in October and November, Hoi An has problems with flooding, especially in areas close to the waterfront. The greatest flood ever recorded in Hoi An took place in 1964, when the water reached all the way up to the roof beams of the houses. Declared a Unesco World Heritage site, Hoi An old Town (www.hoianworldheritage.org; admission 50.000d) is governed by preservation laws that are well up to par. Several building of historical and cultural significance are open for public viewing, a number of the streets in the centre of town are of-limits to cars, and building alterations and height restrictions are well enforced. If only Hanoi would follow suit in its historic Old Quarter. The admission fee goes towards funding all this conservation work. This ticket gives you a rather complicated choice of heritage attractions to visit. You can visit all the old streets, and each of the five types of places: museum; assembly halls; old houses; ‘intangible culture’, such as tradition concert or handicraft workshop; and ‘other’ ( which means Quan Cong’s Temple or the temple within the Japanese Covered Bridge). If you to visit more buildings than this you should buy another ticket; there are ticket offices dotted around the town. The system doesn’t to be well monitored, but hopefully the fees do get collected and end up as part of the restoration and preservation fund. Despite the number of tourists come to Hoi An, it is still a very conservative town, and visitors should dress modestly when touring the sites. ‘Hoi An Legendary Night’ takes place on the 14th day every lunar month (full moon) from 5.30pm to 10pm. This colorful monthly event features traditional food, song and dance, and games along the lantern –lit streets in the town centre. Hoi An is pedestrian-friendly: the Old Town is closed to cars, and the distances from all the town hotels in the center are walk able. There’s plenty to do in Hoi An town. For relaxed half-day walk, follow the dotted line on the Hoi An map and enjoy the cultural sites – and sights – of the town. There’s detailed entry for each of these below, or see the boxed text “Culture & Heritage Trail” for a summary of the route and places of interest. 

Other activities we recommend include: taking Vietnamese cooking class; listening to traditional music and watching local artisans working with wood, paint, ceramics and fabrics. Take a boat-ride on the river, hire a bike and cycle to the beach; wander around the tailors’ shops and order a new set of clothes. Try to spend a few days here!  

Hoi an

Phuc kien Bridged

Hue

Tomb

Cambodia & Angkor

HISTORY OF HOI AN

Recently excavated ceramic fragments from around 2200 years ago constitute the earliest evidence of human habitation in Hoi An area. They are thought to belong to the late-Iron Age Sa Huynh Civilization, which is related the Dong Son culture of the northern Vietnam.

From the second of the 10th centuries this region was heartland of the Kingdom of Champa – when the Champa capital of Simhapura (Tra Kieu) as well as the temples of Indarapura (Dong Duong) and My son were built (see the boxed text ‘Kingdom of Champa”) – and there was a bustling seaport at Hoi An. Persian and Arab documents from the latter part of the period mention Hoi An as a provisions stop for trading ships. Archaeologists have uncovered the foundations of numerous Cham towers around Hoi An: the bricks and stones of the towers were reused by Vietnamese settlers.

In 1307 the Cham king married the daughter of a monarch of Tran dynasty and presented Quang Nam province to the Vietnamese as gift. When the Cham King died, his successor refused to recognize the deal and fighting broke out; for the next century , chaos reigned. By the 15th century, peace had been restored, allowing normal commerce to resume. During the next four centuries, Chinese, Japanese, Dutch, Portuguese, Spanish, Indian, Filipino, Indonesian, Thai, French, British and American ships called at Hoi An to purchase high-grade silk (for which the area is famous), fabrics, paper, porcelain, tea, sugar, molasses, areca nuts, pepper, Chinese medicines, elephant tusks, beeswax, mother-of-pearl, lacquer, sulphur and lead.

The Chinese and Japanese traders sailed south in the spring, driven by winds from the northeast. They would stay in Hoi An until the summer, when southerly winds would blow them home. During their four months sojoum in Hoi An, the merchants rented waterfront houses for use as warehouses and living quarters. Some traders began leaving full-time agents in Hoi An to take care of off-season business affairs. This is how foreign colonies got started, although the Japanese ceased coming to Hoi An after 1637, when the Japanese government forbade the all contract with the outside world.

Hoi An was first place in Vietnam to be exposed to Christianity. Among the 17th century missionary visitors was the French priest Alexandre de Rhodes, who devised the Latin-based (quoc ngu) scrip for the Vietnamese language.

Hoi An was almost completely destroyed during the Tay Son Rebellion in the 1770s and ’80s. It was rebuilt and continued to serve as an important port for foreign trade until the late 19th century, when the Thu Bon River (Cai River), which links Hoi An with the sea, silted up and became too shallow for for navigation. During this period Danang (Tourane) began to eclipse Hoi An as a port and centre of commerce. In 1916 a rail line linking Danang with Hoi An was destroyed by a terrible storm; it was never rebuilt.

During French colonization Hoi An served as an administrative center. During the American War the city, luckily, remained almost completely undamaged.

Hoi An was site of Chinese settlement in southern Vietnam. The town’s Chinese congregational assembly halls (Hoi Quan) still play a special role “among” southern Vietnam’s ethnic-Chinese, some of whom come to Hoi An from all over to participate in congregation-wide celebrations. Today, 1300 of Hoi An’s population of 75,800 are ethnic Chinese. Relations between ethnic Vietnamese and ethnic Chinese in Hoi An are excellent, partly because the Chinese here have become assimilated to the point where they event speak Vietnamese among themselves.

MY SON HONEY LAND                                                    Distance from Hoi An about 70kms

My Son Sanctuary

My Son belongs to Duy Phu commune, Duy Xuyen district which is 70 km far from Da Nang city south west, 10 km far By baked bricks and sandstone, for many centuries the Cham people had built a group of original, continuous temples and towers: The main temple is used for dedicating Linga-Yoni, the symbol of creative capacity. Beside the main tower (Kalan), there are a lot of towers for dedicating other genii or late kings. Although the time and the wars made many towers ruined, the remaining sculptural and architectural works present the styles of historical fine art periods of the Cham people. The masterpieces marked a splendid period of the culture - architecture of Cham Pa as well as of South East Asia. In each historical period, the architecture has its own style, similarly, each temple or tower dedicates different genii, kings, which makes impressing architectural features, but in general Cham towers were all built on a quadrilateral land, which are divided into 3 parts: the tower base represents the world - which is solid. The tower body represents the world of genii, which is mysterious and fascinating. The top is the image of a person who is formally offering flowers and fruits or the image of trees or leaves, birds, elephants, lions..

. which are closed to the religion and the human life. According to researchers of ancient Cham towers, the architectural art of Cham towers in My Son sanctuary contains many styles which are continuous from the Classical style from the 7th to 8th century; Hoa Lai style from the 8th to the 9th century; Dong Duong style from the middle of the 9th century; My Son style and the style transmitting from My Son to Binh Dinh; Binh Dinh style... Among of many remaining architectural works found (1898), there was a 24 m high tower located in Thap Chua area, which was signed as Cham.                                               

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